I am emerging; from COVID-19 as part of our life with the lock downs in Victoria appear to be easing. In the past twelve months I have relocated away from my shop front studio if fifteen years in Merlynston Melbourne to Portarlington a Port Phillip Bay village whilst in is mix undergone a major operation. All these changes has had a huge pact on my art practice.
The time moving away from my studio has given me a great deal of time to reflect and ponder the best way for me as an artist to move forward. Concurrently with my pontificating global and regional human rights issues have emerged “black lives matter” and “enough” showing the fragilities of our liberal democracies while playing out on in media.
My change and the worlds change, all moshing around in my head, brings me to developing four conceptual art bodies of work around common everyday Australian terms; “to hot to handle”, ‘’a rod for my own back”, “drunkard” and “stain”. I expect they will take about awhile to fully mature and present in the material form. As an artist is is called the development and designing phase. Where research such as looking at: the personal is political, the personal is private and slang usage in the everyday. What would be the best vehicles for this creative participatory exploration?
These shadow puppets where made from hand dyed and glued papers and cut out from a template during a workshop at Brunswick Neighbourhood House in 2019 for the Sea is Sinking Installation. The handles are meat skewers glued with tag paper.
Home screens can be made from sheets hung in a light filled window or put the puppet in front of a lamp pointing to a wall or intense midday sun outside. Play and experiment.
Mix ingredients to desired consistency – it can be very runny to quite stiff it will be dependent on the materials you will be using.
If you add calcium carbonate turns the paint from translucent to flat (non see through).
This paint is very accessible, affordable for children and is non toxic.
If you want to get into it more further reading / good reference material is Green Guide for artists by Karen Michel Quarry press 2009 and Artists hand book a complete professional guide to materials and techniques by Pip Seymour Arcturus Press 2003 or go to my blog page on types of paint you can make. https://fernartz.com/make-your-own-paint/
What is a preservative? Helps stop the growth of mould and bacteria. Some other preservatives other than essential oils is sugar and salt have been used throughout the ages as a preservative for foods often used in bottling of vegetables.
What is mould? Is a fungi such as a mushroom. Mould can be a health hazard causing you to sneeze or irritate the eyes. What is bacteria? Some of the first forms of life and can divide and grow very quickly however some bacteria can be harmful to humans.
Ingredients and utensils: 1. Wheat flour ( rice or corn flour can be used) I prefer wheat as the gluten gives stronger adhesion. 2. 1 1/2 litres of water 3. Eucalyptus oil (you can use any essential oil if it has anti-bacterial properties) 4. 1 medium sized pot 5. wooden spoon 6. a stove
Method: Mix all ingredients together when cold – it goes a milky colour no lumps. Turn on heat and stir continously it will thicken. When it thickens keep stirring – stir for as long as you can 3 -10minutes while boiling this strengthens the glue. Done pour into a container let cool. Can keep for up to a week in a cool dark spot.
The consistency of the glue will be dependent on the task. If binding paper, making paint you want a runny consistency. If making 3D objects its better if its stiffer – and dependent on what you are using it for – as the range of glue can be runny like drinking custard to tacky when you put your two fingers together there is a bit of resistance. The more you stir and cook the stronger the binding is.
You can play with adding: Adding sugar the glue adds a gloss however it can become brittle. Gelatin ( from either kelp or animal hooves) – brings strength to the glue however it will yellow and can shrink the paper. Honey gives elasticity to the glue.
Traditional uses: Japanese scrolls – binding paper and silk together. Persian/ Mongolian miniature art used a binder for watercolours to assist the non-bleeding of colours. Glue is used throughout South east Asia and is archivally sound. For contemporary works can be used in 3D art construction of puppets, Crankies, and all paper art, and installations.
What is the binding element in wheat, corn or rice? Starch is a carbohydrate – made up of Carbon Hydrogen and Oxygen